It is a truth universally acknowledged that Jane Austen is often associated with dazzling regency fashion, Bridgerton-style balls and swoonworthy romances. Brutal murder, a blood-soaked suspect and gory post-mortem examinations are perhaps not the first thing that comes to mind when one imagines a stay with Mr Darcy. In Death Comes to Pemberley, however, these two worlds fuse in a thoroughly enjoyable production which fans of Jane Austen, Pride and Prejudice and murder mysteries alike are sure to enjoy.
The Venue
I was lucky enough to see Death Comes to Pemberley at Brighton’s Theatre Royal, which itself opened in the Regency era. As one of the oldest continuously-running theatres in the country, its Grade II listed auditorium is a stunning example of regency architecture, making it a fabulous venue to see the show. The production was cleverly and simply staged, with ornate windows for inside scenes providing glimpses into the countryside beyond. The stage transformed smoothly and convincingly into wild woodlands, inns and cellars with swift transitions from waistcoated stagehands. A highlight for me was the piano, played live onstage by cast members, which made us feel as though we were truly in the parlour of Pemberley Hall, watching the story unfold.
The Vibe
The action takes place six years after Miss Bennet and Mr. Darcy’s marriage, when their incandescently happy life is suddenly and shockingly interrupted. The arrival of her sister, Lydia (Mogali Masuku) at Pemberley, brings horrifying news: a man has been brutally murdered in the woods, and her notorious husband, George Wickham, is the prime suspect. What follows is a classic and creative whodunnit: expect questionable alibis, passionate interrogations and red herrings which leave the audience guessing the whole way through. The mystery is mixed with a healthy dash of classic regency conflicts, with the characters’ fear of scandal, pride (and prejudice) and love putting the investigation, and a man’s life, in jeopardy.
The story is both entertaining and thoughtful with some clever nods to the Gothic genre that Jane Austen would surely have appreciated. Spooky dark woodlands, figures in the moonlight and tense cellar scenes are contrasted with comic relief from Sarah Berger as Lady Catherine, and the truly sweet interactions between the dashing Henry Alveston (played by David Osmond) and the lovely Georgiana Darcy (played by Celia Cruwys-Finnigan).
James Bye (EastEnders) is exceptional as Mr Darcy, expertly capturing his humour and passion for Elizabeth and – of course – rocking some fantastic sideburns. Jamie-Rose Duke (Casualty) is also fabulous as Elizabeth: who she effectively plays as witty, stubborn and perpetually good-intentioned. Sam Woodhams (Mickey 17) was captivating as the enigmatic and alluring George Wickham – and excellently doubled as Will Bidwell, an ill young man living on the Pemberley estate, whose family Elizabeth never fails to care for.
The play offered something for everyone: murder mystery intrigue, will-they-won’t-they romance and many a nod to Austen, whose beloved characters it was a pleasure to see portrayed by the excellent cast.
The Verdict
Whether you know Persuasion like the back of your hand, or can’t tell your Northanger Abbey from your Mansfield Park, Death Comes to Pemberley is sure to please, with its beautiful costumes, excellent acting and engaging storyline. So, lace-up those corsets, buckle those breeches and hop in the carriage to the Theatre Royal, until September 6.
Tickets: ATG Tickets
Address: Theatre Royal, 41 Bond St, Brighton and Hove, Brighton BN1 1RD
